“Good Hunting,” which may be found in The Paper Menagerie and Other Stories, is now part of Netflix’s Love, Death & Robots.
The series, executive produced by David Fincher, Joshua Donen, Jennifer Miller, and Tim Miller, consists of 18 awesome animated shorts centered around the titular themes. Other authors whose work was adapted include John Scalzi, Claudine Griggs, Marko Kloos, and many others.
The “Good Hunting” adaptation, one of the longest in the series, was directed by Oliver Thomas. The adapted script was by Philip Gelatt. It was animated by Reddog Culture House. Voice actors include Elaine Tan, Matt Yang King, Gwendeline Yeo, Maddox Henry, Sumalee Montano, and JB Blanc.
I think the adaptation looks fantastic. All the episodes in the series are relatively short so you can binge them all in probably one viewing. (Note that this is a series aimed at adults so it is not appropriate for children and likely NSFW.) Enjoy!
The second anthology of translated contemporary Chinese SF, Broken Stars, is out from Tor Books (US) and Head of Zeus (UK).
I hope you enjoy the work of these amazing authors and translators.
The Last Policeman, by Ben Winters, is a mystery set six months before a six-mile-wide astroid strikes Earth, an extinction-level event. With the apocalypse looming, why would a detective bother solving murders?
Featuring snappy dialogue, a distinctive narrative voice, and excellent building of suspense, the whole book is written in first person present, which works really well. The core murder mystery, using a Two Body Plot, is enhanced by a bigger background mystery that presumably serves as the plot arc for a trilogy, of which this is the first.
What I admire most is the way Winters doles out just enough information to allow the reader to make the necessary deductions at the right moments — I know, standard mystery technique, but surprisingly hard to master.
I’ve read all the short fiction Nebula nominees this year.
The best part of the experience has been seeing how diverse the field is. These stories are widely divergent in style and voice, and they define “science fiction” and “fantasy” in very different ways.
This makes me happy.
You’re not going to like all of the stories nominated, but I think you’ll find something to appreciate in each one.
People are always worried about “trends” and how the kind of stories they like aren’t being written and read. But looking at the nominees this year, I’d say that such worries are misplaced. The field is still developing, growing lusciously in every direction.